On 7th January 2019, The Art Newspaper posted the following article:
British Museum realises 'vase' is in fact an ancient mace-head displayed upside down
Curators discovered old mistake during research for No Man's Land exhibition NANCY KENNEY
Inspired by some contemporary photographs shot in southern Iraq, the British Museum has mounted No Man’s Land (until 27 January), a small exhibition attesting to man’s chronic inability to exist peacefully within agreed borders. The exhibition showcases three ancient objects that tell the story of the first recorded border conflict, a clash between two Sumerian city states in the third millennium BC, while juxtaposing them with the modern photographs. Inscriptions on two of the objects document the viewpoints of the ancient city states of Lagash and Umma, with each side invoking claims to disputed territory supposedly allotted them by the gods.
In a bit of serendipity, the curators realised during research for the show that an object they had long assumed was a vase had actually been displayed upside down. They now understand that it is actually the head of a fired-clay mace, or heavy club, made for King Gishakidu of Umma. After comparing the object with a similar one at Yale University, “we realised how daft we’d been”, says Irving Finkel, a co-curator of the show. Now displayed right-side up, the mace head is topped by a painted representation of a net that was used to immobilise enemies for execution.
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Actually, it really is a vase, not a mace-head, and it is pictured upside down.
Not only that, it is also printed in photographic reverse.
We know this is the proper orientation for the artifact because the writing aligns correctly.
On a regular cuneiform tablet, the signs are written in rows that
read from left to right (like English). Notice that the “pointy” signs face to the right, in
the direction they are read.
If this same writing appeared on a royal artifact, like the vase of King Gishakidu, it would look like this:
On royal/monumental writing, the signs are written by
column, reading from right to left. The pointed signs face downward in the
direction they are read.
When properly aligned, this pointed sign faces downward. Also notice that the column dividers naturally taper off at the ends, in the direction they were drawn.