The Great Fatted Bull: home page for Sumerian Shakespeare and The Great Fatted Bull.
Introduction: where Tablet #36 is introduced as the world's first political satire, the world's first comedy, and the world's first murder mystery.
Tablet #36: shows photographs and line-drawings of the tablet; also includes a link to the Library of Congress cuneiform website, and a link to the CDLI's hi-res photo of the tablet.
Translation: translation of the tablet, with minimum explanatory comment.
Annotations: line-by-line translation with notes that give the historical context of the story and explains its wordplay and hidden meanings.
Transliteration: the Sumerian words and their English equivalents, with notes on the translation. It also includes notes on decoding mahX, and Appendix A, which summarizes the ways the meaning of the text is obscured. Dull reading for anyone but a Sumerologist.
Note: The
following two pages are superseded by the Standard of Ur Narratives. They have
been archived (hidden) but they are still available for research purposes.
Sumerian war chariots: the high-resolution photographic restoration of two war chariots depicted on the Standard of Ur. Also included is a section on chariot tactics.
Ur-Namma translation: historical background on Ur-Namma; translation of votive tablet.
The face of Ur-Namma:
where I identify the "unknown Sumerian ruler", at the Metropolitan
Museum of Art, as Ur-Namma. I also identify another statue at the Met as
being Ur-Namma, rather than Shulgi, as labeled. A statue in the Baghdad
Museum is identified as Ur-Namma. The face of Ur-Namma, part II; deals with the issues raised by the Metropolitan Museum of Art on the identification of the unknown ruler as Ur-Namma.
I am Ur-Namma: the life and death of Ur-Namma, as told in literature, and his resurrection.
The divine right to rule: the date cluster as a symbol of royalty and the divine right to rule in ancient Mesopotamia.
Sargon's Victory Stele: where I identify the defeated enemy and the captive king on Sargon's victory stele.
Sargon's other stele: where I identify the defeated enemy on Sargon's other victory stele that is displayed in the Louvre.
Helmet: the King of Kish: where I identify the kind of helmet with a knotted bun on the back as belonging exclusively to the King of Kish.
The Standard of Mari: the identification of many Mari artifacts as being Sumerian in origin. Also included is a page on Mesopotamian clothing as related to the Standard of Ur and the Standard of Mari.
The battles of Ishqi-Mari: the battles fought by the Akkadian king of Mari as shown on his cylinder seals.